2. Drawn to the village square
Opening the bottom gate and shutting it carefully behind me, I turned right, along the lower road of the village until I was next to the church premises, which overlooked the square. Every Saturday morning, the village square was packed with interest.
A large crowd of villagers were
milling about outside the butcher’s shop. I knew this area would be teeming
with activity and I, together with many other children, wanted to get as close
to the action as we could. This was the butcher’s moment and he performed
silently, with a flourish of flashing knives and solemn skill. We watched with
fascination when Antoine’s father, the butcher, cut the throat of the cow and the
blood dripped into the bowl under its severed neck. The time for killing the cow came
once, sometimes twice, a week, and was accomplished very efficiently. Death was
quick with a very sharp knife.
After leaving the slaughtered
beast to drain for a while, the butcher skinned the carcass and cut it into
portions, chopping through bone as needed, ready for sale to his customers. He
hung the large joints of meat, such as the legs and the shoulders, on hooks. The
leftover pieces and fragments were put through the grinder. Some of this was
weighed into portions and was sold as mincemeat and some was stuffed into
casings for sausages. Flies of different sizes buzzed around and settled on any
meat left untended as the various cuts were put aside on the butcher’s bench.
One day, the butcher had a plaster
on the upper part of his nose, which made us all curious about what had
happened. Gradually the story came out that all the men had a bit too much to
drink on Friday night and bottles had been flying around. One of the broken
pieces of bottle had caught him on his nose but he hadn’t noticed the damage
until after the brawl. On seeing blood all over himself, he thought he was
dying but eventually realized that the wound was not fatal. By the morning all
he had was a hangover, evidenced by his surly mood as he slaughtered the cow
with a swift and skillful sawing motion, right through the neck.
Eventually the time came to
slaughter one of the sheep and that was done efficiently with the sheep being
silent right up to the time its throat was slit. Next came the goat and as it
was dragged to the stone step it bleated and set up an outcry that sounded like
a human screaming and crying. The noisy objections only stopped when the goat’s
throat was cut. There was a general pervasive smell of blood and offal.
Another part of the butcher’s work was to kill and prepare chickens for sale. This is what we youngsters had been looking forward to with great anticipation. The chicken’s neck would be severed and then, on the strength of its reflexes, the bird would run off into the square. We would all run after one or other of the headless chickens and when it fell over, the closest of us would triumphantly bring the expended chicken back to the butcher.
The
chicken’s body would be put in warm water and Antoine’s mother and sister had
the job of plucking the birds and hanging the naked carcasses on a hook in a
row, like washing on a line. The village women would be quick to buy them so they were
not on display for long.
The morning was full of bargaining and gesticulating for special cuts, smaller portions
of mince and liras and piasters would exchange hands. Midday
would arrive and there would not be much left.
Another feature of market day was to relate
personal news and listen to what others had to share. Catching up with the
latest village gossip was an essential part of the entertainment as well.
The aroma of baking bread
gradually wafted over the village square and directed everyone’s gaze towards
the bakery. Much earlier, the mothers, including Im-Fawzi, had taken their
trays of prepared dough to the bakery, stepping awkwardly down some uneven
steps and into the initial darkness of the bakery. They would leave their
baskets in the informal queue, and carry on with their morning shopping, until
it was their turn. There was not enough space for many of them to wait for
long. The oven was a brick-built affair, like a long cave lined all round with
firebricks. On the one side of the oven, logs were burning and the flames went
in a circular fashion towards a flue on the opposite side, and then on up the
chimney. The baker and his assistant would steadily feed the fire with wood and
with bread to be baked.
As the baker was about to bake their bread, each woman would
return and flatten out her balls of risen dough, rolling them out into large
plate sized loaves and placing them ready for the baker to put in the oven.
Sometimes the ladies waited to see their loaves being put in the oven and then
left to come back when the process was over. There was only room for one
or two women in the dark room to prepare their loaves.
As each
set of round flat dough discs were lined up, the baker placed them on his long
wooden paddle and shook them onto the oven floor, near the flames. Within a few
minutes the discs puffed up into loaves, which were quickly removed, turned
over and then placed near the fire again. One or two more minutes and the
loaves were moved further from the flame and then pulled out again by the baker
once he deemed them properly baked, and he would place them on the slate-topped
wall constructed for that purpose. The owner carefully placed them all into
cloths in her cane basket, covered the warm bread with another soft cloth and
returned home with the basket on her head.
On multiple occasions, I was
permitted to sit out-of-the-way in a corner of the bakery to watch in
fascination. No one seemed to mind me being there as I sat asking questions or
chatting about the process. Sometimes I would be sent to call the next lady, if
she had not arrived on time. As soon as I appeared at the bakery entrance she
would know to come. Naturally, I was given the chance to tear off some bread
and eat it now and again. I grew to love warm loaves of khubz.
The more complicated savoury breads
like mana-eesh, fatayer, samboosik and lahm-bi-‘ajeen, would need
particular temperatures and had to be placed in strategic locations in the
oven. The women would make separate arrangements with the baker for these
specialties, as he did that kind of baking after all the regular bread loaves
had been baked and collected. I was never offered any of those as they were
only prepared for very special occasions such as feasts, weddings or the
birthdays of the elders in the village.
As the
mothers took their bread home they often watched their children’s antics in the
village square. Some of the boys played marbles with each other setting up a
shy near the side wall of the village store. Others competed with each other as
they did one-arm push-ups over the stream running on one side of the square to
pick up a match on a stone in the middle of the stream with their lips. There
was great hilarity whenever someone failed and fell into the stream. There were
always a few young ladies around to impress and they usually kept up giggling
commentaries at the exertions of the young men.
Everyone would be involved in preparing the midday meal after
they had picked up their baked pita bread. On their way home, the mothers
gathered the various members of their family and somewhat reluctantly left the
village square to go up the hill to the spring, where one of the young women
collected a jar of water, to join the rest of the party back home to prepare
for the midday meal.
that is so cool poka
ReplyDeleteThank you Lane for your encouragement, it means a lot to your old poka! :)
ReplyDeleteThis comment has been removed by the author.
Deletethanks
DeleteOnce again, this is so evocative, and I can picture the activities and people you describe with clarity. To think I participated in those activities as a five-year-old observer and remember them still astonishes me. Your description reminds me of little incidents… Saturday was such an important part of the week for us because it was “pocket money” day. Each Saturday I received 5 piasters, a coin made of an alloy so light that if you took a hammer to it, you could squash it flat. It was equivalent to about 1 cent in today’s money, but still, enough to buy a small handful of sweets. The other main shop in the square was that of Elia, the grocer. He was the sweetie man. On one occasion, I made my way down to the square and headed straight for Elia’s shop and purchased my choice of sweets. When I emerged I found you with a group of the lads your age, very excitedly dancing around a man who had brought a “Peep Show” to the square, on the back of his donkey and was setting it up on the ground, for viewing. There were two observation “ports” on the side. The price was 5 piasters, and the showing lasted a minute or two. I was desperate to join the big boys to see the hidden show, but I had spent my 5 piasters. I was distressed and feeling that I was going to lose out on a historical experience. But you came to my rescue, my older and therefore richer brother (annual increments were about 5 piasters, so you were probably on about 20 piasters a week!). You gave me the requisite “entry fee” and I put my head to the port hole, only to see some boring old, animated pictures flipping by, animals walking, men running, flags flying, dancers dancing.
ReplyDeleteThe other thing that happened on Saturdays, specially when the weather was poor, Mom would prepare a very special spinach, mince and rice dish, with lemon squeezed over it, and then bundled into the Volkswagen, all seven of us, Howard and me in the box at the back, you and Brenda on the back seat, Joan on Mom’s lap and Dad driving. We would descend the mountain, one hairpin bend after another, and make our way to an auditorium at the American University, where they would show movies. The only one I can recall, was The Wizard of Oz which scared the living daylights out of us, all of us. I remember you sitting there, eyes glued to the screen and a handkerchief near your face, either to block your view of wipe your tears (I am still not sure which).
Once again we travel together and the perspectives and memories evoked make me feel like we're arm in arm on the journey backwards and yet in a sense forward in a way that adds value and depth.
DeleteI couldn't handle Dorothy going through those various experiences and I remember actually going outside and taking comfort from the somewhat more stable realities like trees and the brick road outside the auditorium where we watched the film. I also remember being somewhat embarrassed by my inability to keep watching but when asked whether I would like to see it again I gave a very strong "No thanks!"